Soprano Katy Lindhart and baritone Thaddaeus Bourne in the Ruby cast of Opera in the Heights’ Eugene Onegin. Credit: Photo by Nancy Gillespie I knew trouble lay ahead in Opera in the Heights’ physical ...

Great Performances at the Met presents Tchaikovsky’s Eugene Onegin. Anna Netrebko stars as Tatiana, the naïve heroine of Tchaikovsky’s opera, with Peter Mattei as the title character who rejects her.

Add Yahoo as a preferred source to see more of our stories on Google. Mezzo-soprano Hilary Ginther as Olga in a past production of "Eugene Onegin" at Opera Omaha (which utilized the same sets and ...

Taking a spell from their ongoing successful national tour, Co-Opera returns home to Adelaide for a brief break from travelling to present the home crowd with their most ambitious and splendid ...

Tchaikovsky's "Eugene Onegin" is a story of strong emotion accommodating itself, painfully but with resigned acceptance, to external reality. Dreams of romantic love prove untenable, or merely ...

His basic premise begins at the end: with the older, more dislocated Onegin and Tatyana aching their way back to that time in a mid-19 th century adolescence when happiness was so close. That makes it ...

Allison Pohl as Tatyana and Mysha Myznikov as Onegin in the Tacoma Opera production of “Eugene Onegin” by Tchaikovsky. PETER SERKO Courtesy Three hours of tragic Russian opera is not everyone’s cup of ...

Arizona Opera has mounted Tchaikovsky’s “Eugene Onegin” just once in its 43 seasons — back in the 1999-2000 season. It’s not an easy piece to cast; there aren’t too many people who sing in Russian ...

Tchaikovsky’s great 1877 opera, based on Pushkin’s verse novel, breathes the spirit of Russia yet deals with universal themes – the loss of a love that is never declared, in this case that of Eugene ...

For a tale of heartbreaking regret for a missed opportunity, Pushkin’s Eugene Onegin, as set to music by Tchaikovsky, would be hard to beat. As Ted Huffman, director of the Royal Opera’s new ...

His basic premise begins at the end: with the older, more dislocated Onegin and Tatyana aching their way back to that time in a mid-19 th century adolescence when happiness was so close. That makes it ...