Its lurid reputation wasn’t enough to prepare me for William Cowen’s “Kongo” (1932), the most out-there of a raft of pre-codes released recently by the Warner Archive Collection — the pioneering and ...
The ruthless Flint, a disabled man, rules an isolated region of Kongo like an omnipotent god, through superstition and sadism, living only for the day when he can get revenge on the man who ruined his ...
He works in mysterious ways.
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