Toward the end of his life Mozart composed a miracle even by his own lofty standards – three immortal symphonies that emerged within the period of just a few weeks in the summer of 1788. Virtually ...

Packed with intricate melodies, harmonies, and instrumentation, Johannes Vogel conducts the Synchron Stage Orchestra to perform Mozart’s Symphony No. 41 in C Major K. 551 in this elegant live concert ...

Mozart's Symphony No. 40 and No. 41 encapsulate him as a master at work in his finest hour. They were acknowledged as masterpieces upon their first reception and the symphonies still continue to sweep ...

‘The most limpid and lyrical music in existence’ was Eric Blom’s verdict on Symphony No 39 in his Master Musicians Mozart biography. Older conductors, from Beecham and Böhm to Neville Marriner, ...

In an interview included with this set, Richard Tognetti, the violinist-director of the Australian Chamber Orchestra, remembers a concert of the three last Mozart symphonies the great Frans Brüggen ...

In their regular work together, Charles Mackerras and the Scottish Chamber Orchestra have developed a distinctive and very effective style, one that combines the best of both the modern and the period ...

Anthony Payne unlocks the secrets of Mozart's Symphony No. 41 in C 'Jupiter' (K.551) with the help of specially recorded examples from the BBC National Orchestra of Wales under Brad Cohen.

Mozart composed his final three symphonies - numbers 39, 40 and 41 - in quick succession, apparently in the hope of presenting them as a series but there’s no record this ever happened. In No. 41, ...

Symphony No. 41 Conductor Roger Norrington is our guest in Salzburg this hour. Before we meet up with him live, here's a recording of Maestro Norrington leading the Camerata Salzburg. The Menuet from ...

Symphony No. 39 Vienna Concentus Musicus Wolfgang Amadeus Mozart, Composer Symphony No. 40 Vienna Concentus Musicus Wolfgang Amadeus Mozart, Composer Symphony No. 41, "Jupiter" Vienna Concentus ...

Mozart's Symphony No 39 in E flat is something of a Cinderella among the composer's final three, great symphonies. Judging by the last five years' listings in The Ticket, No 40 outperforms it by a ...