If ever a play had good reason to front-load itself with exposition, Good Night, Oscar is it. Once among America’s premiere wits and raconteurs, Oscar Levant has gone the way of many another ...

Any fan of “The Marvelous Mrs. Maisel” will feel familiar with Paar and generally at home in this world. In some ways, “Good Night, Oscar” even feels like an episode of “Mrs. Maisel” — zany, ...

There are probably, unfortunately, many younger people who don’t know who Oscar Levant was. But for the Asolo Rep audience, chances are a good number recall the musician, raconteur and pianist, as ...

Performances in N.Y.C. Advertisement Supported by “I’d like to acknowledge Oscar Levant, whose wit and irascibility and virtuosity is not only inspirational but a true original,” Hayes said in his ...

His affairs are a mess: mentally ill, addicted to a slew of pills, on the outs with wife June and quickly acquiring a reputation for no-showing the promoters who book him. Can he hold it together for ...

Hot on the heels of hit Broadway play Stereophonic, there’s another evocative recording studio period piece in town. But where Stereophonic is an epic, following a Seventies-era band gradually ...

Enter Sean Hayes’s Oscar, first heard kvetching outside the green room’s door, his funny-dial already turned up to 11. Those who have come to see over-the-top gay Jack from Will and Grace will ...

A few weeks ago, it was announced that Hayes would return to Broadway this spring in GOOD NIGHT, OSCAR, a play by Pulitzer Prize-winning playwright Doug Wright, about Oscar Levant. The news surprised ...

Today’s audiences are unlikely to know the name Oscar Levant, the once-famed pianist, composer, comedian and actor at the center of Doug Wright’s new Broadway play “Good Night, Oscar.” Despite that, ...