It’s a common lament among film lovers: “____ is such a great movie, so why is Hollywood remaking it?” Alas, those complaints tend to fall on deaf ears: In our age of reboots and redos, studios have ...
Roberto Benigni spends a lot of time talking with his back to the camera in "Pinocchio," the better to obscure his lips, the movement of which has no relation to the sound attributed to them.
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