Sixty-seven-year-old William Forsythe doesn't look like a ballet superstar — he's slightly built and he wears glasses. But the former dancer is completely at home in Boston Ballet's rehearsal studio, ...
A mixed bill entitled “Dichotomous” brimmed with the hopeful and sometimes unsure energy of a fresh start for this dance company. By Siobhan Burke Our critics and writers have selected noteworthy ...
The last time you walked into an art museum, you were probably greeted by oil paintings and marble sculptures, not a cluster of gymnastic rings, old-fashioned feather dusters, and whimsical swinging ...
The USC Glorya Kaufman School of Dance is bringing on internationally renowned choreographer William Forsythe to join the faculty as a professor in fall 2015 — just in time to greet the new school’s ...
We had to wait until the curtain call at the Dorothy Chandler Pavilion for “Celebrate Forsythe” to feel like the mini-festival it truly was. The Music Center on Friday night had brought together ...
The loss of a loved one is a major inspiration for art, the memorial a tried-and-true type of Western art for centuries. But choreographer William Forsythe didn’t exactly approach the creation of ...
The first time they step into William Forsythe’s installation “Nowhere and Everywhere at the Same Time No. 2,” some people race, thinking they must hurry to avoid disrupting the more than 200 ...
Talk about perfect casting: Notorious film villain William Forsythe has been tapped to play yet another heavy on CBS' The Mentalist, TVGuide.com has learned exclusively. "[He's] selfish, arrogant and ...
Sixty-seven-year-old William Forsythe doesn’t look like a ballet superstar — he’s slightly built and he wears glasses. But the former dancer is completely at home in Boston Ballet’s rehearsal studio, ...
Once-in-a-generation ballerinas, topical works that transcended politics and a voguing “Cats” were highlights of the year. By Gia Kourlas, Brian Seibert and Roslyn Sulcas A mixed bill entitled ...
At the Vienna dance festival ImpulsTanz, four iterations of the American artist’s “Choreographic Objects” draw attention to how the body is reined, in ways seen and unseen. In cooperation with ...