Pat Oleszko may be funny, but she isn’t joking. For nearly sixty years, Oleszko—a performance artist and sculptor who describes herself as an ...

Madeleine Seidel is a curator, writer, and editor based in Brooklyn, NY, and Atlanta, GA. Her work concerns filmmaking, time-based media, and performance, paying particular attention to artists based ...

Donasia Tillery. Donasia Tillery is a writer, editor, and poet based in New York. Her work explores the intersections of race, gender, structural trauma, and spirituality, and has ...

Daoist tradition teaches that at the time of death, souls journey to their next dimension by taking flight on cranes. Regarded as symbols ...

I got lost several times on my way to Casa Susanna, the exhibition I had set out to write about. It was a sticky Friday night in July—“date night” at the Metropolitan Museum of Art, as the Met ...

The best way to fuck something up is to give it a body. A voice is killed when it is given a body. Whenever there’s a body around you see its faults. The question is, now, in an artworld and social ...

Amy Sillman is a highly regarded painter, writer, and curator based in New York. One might regard her as a consummate insider. The artist has a solo exhibition at Gladstone Gallery this May but hails ...

Pablo Picasso is so famous and so ubiquitous and so dead that he is easy not to think about at all. It’s as though his most renowned artworks are in the next gallery along with his clownish public ...

Launched in 1995, SITE International Biennial was the first biennial for contemporary art in the United States. Over the course of its eleven editions, the organization has primarily focused on ...

The coverage and criticism of Documenta 15 was an experience in itself, whether or not you made it to Kassel this year. This edition of the contemporary art exhibition was the first to focus entirely ...

Yoshio Taniguchi’s 2004 expansion of the Museum of Modern Art integrated the glass buildings on either side of the museum so that when you are sitting towards 54th street, in the Cullman offices, in ...

With arms crossed, a Métis curator contemplates Kent Monkman’s The Scream (2017) at the Winnipeg Art Gallery. The history painting dramatizes Canada’s seizure of First Nations, Inuit, and Métis ...