Vallée discusses why it is important to him to be able to capture unique camera angles, even when they partially obscure the actor, as these "imperfections" can draw audiences deeper into the story.

Stage Manager Leon Robinson discusses his catalogue of work, strategies that have garnered success in his position and his opinions on an ever-changing industry. Leon Robinson was born in Los Angeles, ...

Vallée describes shooting a scene on Wild that is emblematic of his style, which includes utilizing natural light as much as possible.

Director Mark Levin talks about the challenge of visualizing New York City as a diverse and multi-faceted city and still holding to the film's central relationship between Avenues: The World School ...

Spielberg speaks about how a moment from his childhood motivated a specific shot from the film and allowed him to "insinuate" the camera into a dialogue-heavy film.

Spielberg shares how he was able to avoid using digital effects to capture the breaths made by the characters in a cold climate during a specific scene.

Associate Director Carol M. Larson talks about the function of central videotape and its importance to the broadcast.

Director Benjamin Lobato believes it is important to discuss themes and motifs early in the process when working with actors.

Directors Steven Spielberg and Martin Scorsese discuss the historical background behind a poignant scene in which James B. Donovan (Tom Hanks) looks on as kids are shot attempting to climb over the ...

Director Guillermo del Toro explains how he maintains a consistent tone within a film while integrating fantastical elements by using an example from The Devil's Backbone.

Director Peter Chelsom discusses his new film, Hector and the Search for Happiness, with Anne Fletcher after a screening at the DGA in Los Angeles.

DGA Documentary Awards Committee Co-Chairs Freida Mock and James Moll lead the nominees in a discussion of their films and the craft of being a Documentary Director.