‘Unleashing the Sins of Sculpture’ reimagines sin as a means of disrupting the patriarchal narratives shaping the infrastructures of power and value, historical memory and aesthetic visibility.

I joined a ‘Bad Behaviour’ reading group in Toronto this past spring. When the ‘Politics/Identity’ week rolled around, I was especially keen to hear my fellow ...

Suki Seokyeong Kang, the Korean artist known for her immersive sculptures, videos and performances, has died at the age of 48. In an email announcing her passing, Tina Kim Gallery described Kang as ‘a ...

Rodrigo Hernández, Se vider, se disperser #1, 2025. Oil on wood, 35 × 30 cm. Courtesy: the artist and Madragoa My general knowledge of bats has largely been formed by vampires and horror films, which ...

At Croy Nielsen, Vienna, a group show uses desire, memory and tedium to inspect the hidden realities behind everyday life Straddling the line between white cube gallery and cosy city flat, Croy ...

Monica Bonvicini, Love Is Blind (Nero Lucido), 2025, coloured mirror, stainless steel, stainless steel chain and handcuffs, 150 × 100 × 4 cm. Courtesy: © Monica ...

Citra Sasmita learnt the Balinese tradition of Kamasan painting from the Hindu priestess Mangku Muriati, one of few women allowed to practise the technique. In Sasmita’s vast paintings on cow hide, ...

In Rachel Cusk’s 2014 novel Outline, the protagonist becomes known primarily through her dialogue with the people around her – strangers, friends and family – rather than direct characterization. At ...

The Indonesian artist reimagines inherited mythologies in her new beaded cow hide paintings for Frieze New York ...