MUNA's Dancing on the Wall sees the band swap the sun-soaked confessional catharsis of their last record for something ...
ECA final year students have threatened a “Grad Show Boycott” as ECA teaching staff continue a Marking and Assessment Boycott ...
Louis Paxton’s debut feature The Incomer, a buzzy title from this year’s Sundance, will open the 79th edition of Edinburgh ...
Loraine James's self-styled "IDM popstar album" finds the London producer confronting imposter syndrome head-on.
As the Montreal outfit Cola release their third album, the former Ought members are steadfastly standing on their own terms.
A woman heads to a commune on a remote Scottish island in this skewering of the wellness industry and how we grapple with our ...
The jaunty wurlitzer piano on Venus In the Zinnia gives the song a kaleidoscopic edge, accentuating the disassociative duet ...
Romería director Carla Simón discusses recreating memories, embracing magic realism, and why now is the perfect time to look ...
Glasgow's art scene is under threat. In light of City Property's decision to quadruple rent for tenants at Trongate 103, we ...
Glasgow illustrator and artist Lorna Miller has spent decades moving between comics, political cartooning, and design work.
Scottish Opera's Susannah Wapshott on accessibility, Mozart’s near-perfect score and why Scottish Opera’s revival of Marriage ...
Lykke Li’s sixth album, The Afterparty, is the poppiest the Swede has been since her 2008 debut, Youth Novels.
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