
Kind of Blue - Wikipedia, la enciclopedia libre
Kind of Blue —en español: Un poco triste, o simplemente triste (feel kind of blue)— es un álbum de estudio del músico estadounidense de jazz Miles Davis editado en agosto de 1959.
Miles Davis - Kind of Blue (Full Album 1959) - YouTube
Though precise figures have been disputed, Kind of Blue is often cited as the best-selling jazz record of all time.
Kind Of Blue - Miles Davis Official Site
As the title suggests, Kind of Blue was an exercise not only in primarily blues structures, but also in generating an abiding melancholy through the album’s five tracks—an emotional cohesion unlike any …
Miles Davis - Kind Of Blue: una obra maestra - Discos de Jazz
«Kind of Blue» es un álbum icónico que ha dejado una huella indeleble en la historia del jazz desde su lanzamiento en 1959. Con Miles Davis a la cabeza, este álbum revolucionario ha sido aclamado …
Miles Davis - Kind Of Blue: Canciones, Letras y Crítica | Todomusica.org
Descubre todos los detalles del álbum 'Kind Of Blue' de Miles Davis. Letras de canciones, vídeos, colaboraciones, crítica y toda la información del disco de 1959.
Miles Davis – Kind Of Blue | Releases | Discogs
Explore la lista de canciones, créditos, estadísticas y más por Kind Of Blue por Miles Davis. Compare versiones y compre en Discogs.
Kind of Blue - Wikipedia
Kind of Blue is a studio album by American jazz musician Miles Davis, released on August 17, 1959, by Columbia Records.
Miles Davis - Kind of Blue Lyrics and Tracklist | Genius
Kind of Blue is widely regarded to be one of the best, if not the best, jazz album ever recorded. It also holds the record of the best-selling jazz album of all-time.
Kind Of Blue (Legacy Edition) - Album by Miles Davis
Kind of Blue is a studio album by American jazz musician Miles Davis, released on August 17, 1959, by Columbia Records.
Kind of Blue - Album by Miles Davis - Apple Music
Two striking ballads, “Blue in Green” and “Flamenco Sketches”, bear the compositional imprint of Bill Evans, though they’re co-credited to Davis. Both are key examples of Davis’ work with the Harmon …